Also in our Predictions 2026 series, interviews with James Hewes, Ludovic Martin and Christophe Albericci
Q. What’s the most inconvenient assumption print publishers still make going into 2026 — the one that feels comforting, but is probably wrong?
I’m afraid that “strong trusted brands” and “good journalism”, supported by upskilled news staff, investments in AI infrastructure, and increased automation and personalisation, may not be sufficient to help publishers withstand the AI wave; its implications are far more profound. If the newsroom remains central to any publishing business, then a more diversified portfolio that supports this core should extend beyond our traditional media streams: print, digital, and events. Furthermore, in light of the rise of the “creator economy”, journalistic and news-brand legitimacy no longer ensures narrative dominance. For news media professionals, there is both an economic and epistemological paradigm to overcome.
Q. Where should publishers stop copying digital in 2026 — and what should they deliberately choose to be famous for (for readers and advertisers)?
Shifting the industry’s focus from quantity and clicks to usefulness and connection: journalism is no longer about “breaking news” but “bridging news”, offering more nuanced and constructive reporting that mirrors the concerns of their audiences. If trust in news, brand reputation, and authority are the industry’s top priorities, publishers should be recognised as pillars of public trust — and destinations where audiences find non-binary narratives that foster a more inclusive public debate.
While the newsroom and good journalism are at the heart of any publishing business, I’m unsure that focusing solely on “digital news” will be enough to regain control of our audiences. Despite market signals showing their attention span falling to the bottom of the digital chart, and despite their efforts to improve reporting, most publishers still see their print business as just a declining financial metric. Although print should play a vital role within a broader omnichannel strategy, publishers often view it mainly as a business to exploit intensively before divesting — or simply ending the “agony” by discontinuing print. I see a contradiction here. If the audience is the queen, print should be regarded from a broader market and user perspective.






